In the beginning of the episode, Eve Polastri shows that she is sensitive when she emotionally walks out of the funeral of her deceased coworker. This makes her seem more feminine. A little later, when arguing with her husband on whether it is safe for her to continue her job, she gets angry and acts assertive and forceful, which is are masculine traits. Then, after receiving more information from her coworker Kenny, she makes the decision to report her theory of Frank being a double agent to her boss. Making a decision easily and taking charge of the next steps are also masculine traits. Finally, she shows boldness and leadership when she helps lead Frank away from assassins that are trying to kill him.
In class, we recently learned about queer representation. In this episode, there is queer representation in the character Villanelle. In previous episodes, she has shown attraction to both men and women. Also, in this episode, it is revealed she previously dated a woman named Nadia. Since she is attracted to both men and women but never explicitly says what her sexual identity is, she can be considered a queer character.
Shared by: Claire Olson
Image Credit: https://www.google.com/url?sa=i&url=httpsen.wikipedia.orgwikiSorry_Baby_(Killing_Eve)&psig=AOvVaw1jG8heLHKlfyqGyarNQVI3&ust=1601155577175000&source=images&cd=vfe&ved=0CA0QjhxqFwoTCOC3kq2khewCFQAAAAAdAAAAABAD